Madrid Academy of Art

Drawing Realism Blending Stippling Impressionism abstract art Sketches Cartoons Still life drawings Portraits drawings Landscapes drawings Illustrations Abstract drawings Watercolor drawing Acrylic drawing Cross hatching Line work Seascapes drawings Cityscapes drawings Pencil drawing Ink drawing Oil drawing Shading

Realism 19th century art Mancini Realist style Impressionism Symbolism Italian painter Neoclassical style Domenico Morelli Francesco Podesti Divisionism

Artists Sargent Velazquez Impresionism Figurative painter Van Dyck Fauvism Realism Sargent portraits Portrait painter Carolus-Duran Academic methodology Sketching John Singer Sargent Cubism Painter Sargent paintings Sargent drawings Sargent biography

Romanticism Realism Limited palette Naturalism Jacques-Louis David Academicism art use of chiaroscuro use of perspective Jean-Léon Gérôme teachings of the Académie des Beaux-Arts art movement traditional techniques Gustave Moreau French Neoclassical painters

Velazquez Chiaroscuro Francisco Pacheco Realism Prado Museum Spanish painter Louvre Naturalism Baroque period Murillo Metropolitan Museum of Art in New York Diego Velazquez Bartolomé Esteban Murillo

Francisco Pacheco Realism Spanish painter Baroque period Tenebrism Francisco de Zurbaran

Realism Ghirlandaio Renaissance period Florentine Renaissance

Realism Michelangelo Naturalism Italian Renaissance Sculptor Human form light modern European art Northern Renaissance European art history ancient Greeks and Romans 16th century art use of color Western art attention to detail arte del siglo 15 European painting Pieter Bruegel Roman philosophers Printmaking Gothic period Jan van Eyck the David scenes from everyday life Greek writers classical antiquity Hieronymus Bosch naturalistic tendencies Roman writers Johannes Gutenberg Sculpture The Arnolfini Portrait emotion figures in motion Paintings Classical world heroic figures in motion

Realism Claude Monet Impressionism capturing the beauty of nature Bright colors traditional compositions realistic representation visible brush strokes Pierre-Auguste Renoir sunlight sense of movement Alfred Sisley atmosphere personal feeling vivid colors traditional art traditional academic style of painting